Shawnscarber

Member Since:
10/28/2009
Beginner
I've been writing prose off and on for the last eight years. I've had short stories published in small press magazines. In 2006 I attended and graduated from Clarion West. Since that time I have been working on short fiction, screenplays, and a novel. I recently completed a short screenplay and enjoyed the experience so much that I'm shifting my focus to writing for the screen.

Reviews by Shawnscarber (7)

Rene's Journey Ranking Review
By: Shawnscarber
Review of: Dearly Beloved (Revision)
on: 11/14/2009
Title: Dearly Beloved Author: Piper Anderson Form: Screenplay Page Count: 107 Genre: Mixed Locations: Arizona, Indiana Budget: Low Read By:... [more]
Cain and Abel? Ranking Review
By: Shawnscarber
Review of: The endearing boy
on: 11/12/2009
Title: The Endearing Boy Author: Giles Fourquet Form: Screenplay for film Page Length: 120 pages Genre: Crime drama / Thriller... [more]
Interesting take on the ex-con tries to go good Ranking Review
By: Shawnscarber
Review of: Led Astray
on: 11/08/2009
Lead Astray Demetrius Glenn Sceenplay for Film 110 pages Read by Shawn Scarber Logline: An ex-convict returns home to his... [more]
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Comments

Aloha! Thanks a shit ton for the review. You have definitely nailed all of the flaws that I keep running into with this script and your comments and suggestions are both valid and helpful. I really appreciate you spending your own free time reviewing my script. I realize exactly how much that free time is worth.

Thanks again and cheers!

Mike
no image submitted Posted by MSchmidt13 January 5, 2010
Hey, thanks for taking the time to read and review Sheepdogs. I appreciate it.
Jordan
no image submitted Posted by Jordan Anthony Thomas December 10, 2009
This is from Hitchcock by Francois Truffaut [originally found this on Mystery Man on Film's old blog]

“In many of the films now being made, there is very little cinema: they are mostly what I call ‘photographs of people talking.’ When we tell a story in cinema, we should resort to dialog only when it’s impossible to do otherwise. I always try to tell a story in the cinematic way, through a succession of shots and bits of film in between.

“It seems unfortunate, that with the arrival of sound, the motion picture, overnight, assumed a theatrical form. The mobility of the camera doesn’t alter this fact. Even though the camera may move along the sidewalk, it’s still theatre.

“One result of this is the loss of cinematic style, and another is the loss of fantasy. In writing a screenplay, it is essential to separate clearly the dialog from the visual elements and, whenever possible, to rely more on the visual than on the dialog. Whichever way you choose to stage the action, your main concern is to hold the audience’s fullest attention.

“Summing it up, one might say that the screen rectangle must be charged with emotion.”
no image submitted Posted by Shawnscarber November 13, 2009
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