Trigger Digest

Posted April 26, 2008 by Mystery Man
This is one of my favorite subjects. How does one create depth?

Shortly after I started my blog, fellow writers and I conducted a character depth study where we focused on 2 very specific ways of looking at the depth of characters in film:

* Contradictions in the Character
* Depth through Cast Design [more]
Posted April 7, 2008 by Mystery Man
I’d like to share three more examples of cinematic storytelling, except this time, they’re written by fellow TriggerStreeters. Some day, guys, some day, a professional in the biz will say to you, “when I was reading your script, I could totally picture this on the screen.” Hope you enjoy them. [more]
Posted March 17, 2008 by Mystery Man
Let us put an end once and for all to the current madness about inner character arcs, which finds its origins in the Grand Poobah of screenwriting gurus, Mr. Robert McKee, who penned in his (now infamous, err, famous) book, STORY: “The finest writing not only reveals true character, but arcs or changes to that inner nature, for better or worse, over the course of the telling.” The fact is great films have been made with great characters that do not change who they are at their core. It isn’t that the writing is a lower quality because the protagonists don’t change, it's that this principle about arcs has been wrong since the very beginning. But to say that every protagonist in every story must have a character arc is madness, my friends. It's a two-faced lie from the pits of hell. [more]
Posted February 21, 2008 by Mystery Man
During my two-week hiatus (and inspired by Billy’s The Movie on the Page), I went through a few screenplays to find great examples of writing the shots. And I have four to share. [more]
Quote Of The Day
"Writing is rewriting." - Ernest Hemingway
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